FICTION
BEIRUT DYING STARS
Walking in Beirut in the late 90s was like taking a tour of scents. If you sniffed too hard, you could detect the smells of dried blood, welding fumes and fresh vomit. Beirut smelled like the moon, a mix of fired gunpowder and lunar dust, the consequence of dying stars.
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WHAT I LEARNED FROM MY FIRST FAILED SPONGE CAKE
My life is very terribly documented. Consequently, I have no interest in collectibles. It’s a curse but also a treasured possession. I can reinvent my childhood. My soft shadow just appears from time to time but memory is a kind of fiction. A vigorous attempt to retrieve it is never close to a triumph.
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THE FLUKIAN
PUBLISHED IN Halcyon Exhibition Transart Berlin 2016
I come from Fluke where sound no longer exists. Some time ago, a group called ‘The Noise’ tried to recoup sound but epic failure resonated. ‘The Noise’ was exterminated shortly afterward and extricated from the nation’s memory. I was only thirty years old and at that age, memory was not yet monitored. Thirty here is equivalent to three in nearby earth. We, at Fluke, like to be singular.
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I COME FROM FUTURE
LISTEN TO AUDIO STORY IN PODCAST
published in Blind Spot with interview, June 2016
I come from Future where humans are unusual and infrequent. My name is Ob20ZI in reference to Object 20ZI. In Future, names are a combination of initials and Ob’s perfect number. Everything here seems to be perfect. I walk in the streets and look in window displays to find a trace of my face.
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NON FICTION
SMART MOBS FOR AN EGYPTIAN CINEMATIC SPRING
Essay | 8,470 words | March 2013
'Middle Eastern Cinema has long been rooted with political and religious themes.
In the course of the ongoing so-called Arab Spring, the question remains would the
Middle Eastern film industry bloom or doom?'
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Works cited:
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. Bazin, Andre. What is Cinema? Volume 1. The Regents of the University of California, 2005
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. Hammoud, Mirna. ‘Causes for Fundamentalist Popularity in Egypt’. Reading U.K: uthaca Press. 1st edition. 1998.
. Higgins, Charlotte. Cannes 2012: After the Battle, The Egyptian fight for film. The Guardian, May 17, 2012.
. In Egypt, Legacy of 1967 Defeat Still Burns. Voice of America. October 27. 2009.
. Khatib, Lina. Filming The Modern Middle East. London: IB Tauris. 2006
. Khatib, Lina. Nationalism and otherness. SAGE Publications. London. 2006
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. Kramer, Peter. 2001: A Space Odyssey. A BFI booked published by Palgrave Macmilln. 2010
. Lake, Eli. Protest Erupts in Egypt Over A Gay Movie. The Sun. July 6, 2006.
. Masciulli, Joseph, et al. Political Leadership in Context. The Ashgate Research Companion to Political Leadership. Ashgate Publishing Ltd. 1st edition. Nov, 2009.
. Memmi, Albert. ‘Decolonization and the Decolonized’. Translated by Robert Bononno. Minneapolis: University of Minnesota Press. October 1967.
. Memmi, Albert. ‘The Colonizer and The Colonized’. Introduction by Jean-Paul Sartre. Expanded ed. Boston: Beacon Press. 1991
. Purtill, James. Much Ado about ‘Dunia’. Egypt Independent. May 5, 2012.
. Rheingold, H. ‘Smart Mobs: The Next Social Revolution’. Book. 2002
. Sadoul, Georges. The Cinema in The Art Countries. Interarab Centre of Cinema & Television. 1966
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. Shackleton, Liz. Next Steps for Arab Cinema. Screen Daily. December 16, 2011.
. Weber, Max (1986), ‘Types of Authority’, in Kellerman (ed.) (2006). Max Weber: Essays in Sociology , (1946/58)